The TT6 Equipped Throne contains our bespoke 1,000W TT6 super-transducer which we initially designed to power active staging but we have since been fitting them in dedicated thrones and KT Platforms for bands such as The Who, the Red Hot Chili Peppers, Bob Dylan, Anthrax, Bastille, The Cult, Meshuggah, Pantera, Colplay, Sam Smith, Royal Blood, Foals, The Pretenders, Embrace, A-ha, James Blunt, Stereophonics, Bring Me The Horizon, A Day To Remember, John JR Robinson, Papa Roach, Hollywood Vampires, OAR, Mariah Carey, Bush, Alice In Chains, Stone Sour, Slash, Steel Panther, Jimmy Eat World, Rod Stewart, etc.
Aside from the extra available muscle (if required), the main advantage of the TT6 Equipped Throne is that it can be driven by amp from 400W to 1,200W at 4 Ohms, so a channel from most standard monitor rig stage amps will do the job perfectly, and can be controlled from the monitor desk / mixer / board.
The TT6 Equipped Throne has all the sensitivity, speed, dynamic range and punch of our regular thrones but it can also deliver endless levels of power if required. It is particularly well suited to fast double bass drum / double pedal players in high volume situations.
The TT6 Equipped Throne has the same external appearance to our regular BC2 and Gigster thrones so it is extremely portable. The round and saddle versions will fit inside a standard snare drum case or our own Bespoke Hardcases.
There are seven covers to chose from: ‘Black Velvet’, ‘Black Vinyl’, ‘Antique Red Vinyl, ‘Navy Blue Vinyl, ‘British Racing Green’ velvet, ‘Purple’ velvet, and ‘Battleship Grey’ velvet.
Custom throne options are available with the TT6 Equipped Throne such as being able to accommodate various model backrests and Airlift / Nitro brackets.

The TT6 Equipped throne is the big brother of the BC2, BC2rm and Gigster: It contains an active tactile transducer which turns the bass drum signal (and other signals if required) into ‘tactile sound’ up through the drum stool. You feel it and hear it, but no one else does. This works mainly through bone conduction (see the Theory page). The result is far more sophisticated than a simple ‘thump’. All of the tone and intricacies of the bass drum sound and impact are felt and heard internally.
